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Conference paper (unpublished)
The Time of Place: Louis-Sebastien Mercier and the hours of the day
I was recently reading The White Cities, Joseph Roth’s reports from France, 1925–1939, when, amongst many other moments, I was struck by the following passage: The manufacturers have their villas on the other side of the Rhône. That’s where the workers live – not in villas, alas, but in tenements....Shaw, Matthew J.
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Conference paper (unpublished)
The sound of artists' books
Artists’ books – any books – are capable of sound, whether dropped, as in Keith Godard’s otherwise text-less and image-less Sounds (1972), or, fluttering noisily, drying out, in the chill spring wind, on the monastery roof in Sergo Paradjanov’s film, The Colour of Pomegranates (1969).Bury, Stephen
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Conference paper (unpublished)
Structuring curatorial responsibilities to incorporate sabbaticals, research etc
A.W. Pollard, a keeper of printed books at the British Museum at the beginning of last century and an important Shakespearean scholar in his own right, remarked that one of the incentives to his career as a published writer was the low pay of the curator. So the simple way...Bury, Stephen
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Conference paper (unpublished)
‘If the package is right, the pills are right’: Proprietary medicines, branding, and advertising, 1650-1850
Medical products, predominantly sold by newspaper and book printers, became the most heavily advertised branded good throughout the seventeenth and eighteenth centuries. This fact, combined with the ever-increasing availability of digitised contemporary newspapers, has generated important work upon their advertisement and distribution. These studies have considerably enriched our understanding of...Basford, Jennifer
branding, material culture, advertising, proprietary medicine, and packaging
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Conference paper (unpublished)
Conference Panel: The past, present and future of digital scholarship with newspaper collections
Historical newspapers are of interest to many humanities scholars, valued as sources of information and language closely tied to a particular time, social context and place. Following library and commercial microfilming and, more recently, digitisation projects, newspapers have been an accessible and valued source for researchers. The ability to use...Ridge, Mia ; Colavizza, Giovanni
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Conference paper (unpublished)
Research Data Management in 'GLAM': Managing Data for Cultural Heritage
A presentation given at the ‘Open Science Infrastructures for Big Cultural Data’ Masterclass, Dec. 13-15th, in Plovdiv, Bulgaria, looking at research data management in the context of open digital cultural collections, with a case study of the developments in data management and data management infrastructures at the British Library.Stewart, Sarah Anna
data management, museums, research data management, cultural heritage, data, digital collections, digital scholarship, archives, libraries, art galleries, and open research
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Conference paper (unpublished)
Towards a Networked Digital Cultural Heritage: Data Services and Persistent Identifiers at the British Library
Presentation given at the ‘Museums and Big Data’ Conference, April 30 - May 3rd, in Doha, Qatar. This presentation investigates the use of persistent identifiers in digital cultural heritage and digital collections.Stewart, Sarah Anna
museums, persistent identifiers, DOIs, cultural heritage, data, open research, digital scholarship, archives, DataCite, art galleries, digital collections, and libraries
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Conference paper (unpublished)
Is there a role for ILL in an open access world – a British Library perspective
The 2017 UUK report on the transition to open access reported that 54% of UK-authored articles in 2016 were accessible within 12 months of publication. This is compared to 32% of articles authored in 2014. Over the past five years, open access research has flourished in an environment of funding...Flanagan, Dimity
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Conference paper (unpublished)
Victorian decorated books with cloth covers in the second half of the nineteenth century
The developments of how the manufacture, embossing and blocking of cloth covers was achieved between 1825 and 1850 have been set out elsewhere. However, to set the scene for what came after 1850, I wish to briefly describe the machine embossing of cloth, and show some of the grain types....King, Ed