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Interactive resource
Introduction to research data, data services and DataCite at the British Library (and beyond)
This webinar will provide an introduction to research data and how to use persistent identifiers such as DOIs to make research data and other digital outputs like theses and grey literature findable and citable online. This webinar will also provide an introduction to DataCite, an international non-profit organisation, which enables...Stewart, Sarah
research data, persistent identifiers, DOIs, research tools, and DataCite
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Interactive resource
The British Library's Shared Research Repository
Creative and cultural organisations require repositories that look good, are attractive to users and support a wide range of non-text research outputs. Join us to learn more about our shared repository for UK cultural heritage organisations. -
Interactive resource
How to access digital resources: a free webinar for researchers
Researchers working from home may find now, more than ever, that they cannot access all they need to do their research. This webinar will introduce the concept of open access, and the various tools and resources that enable access to the resources researchers need.Walker, Dominic
e-resources, digital resources, open access, remote work, and research tools
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Blog post
The British Library’s Response to the UKRI Open Access Review Consultation
The British Library holds Independent Research Organisation status with UK Research & Innovation. This has enabled us to develop an AHRC-funded Collaborative Doctoral Partnerships Programme and to work with various partners to attract joint funding for major research projects. In addition to these UKRI-funded projects, the British Library seeks to...Walker, Dominic
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Interactive resource
Towards a National Collection: Persistent Identifiers as IRO Infrastructure – Project Launch Webinar
The project will bring together best practices in the use of PIDs in the UK heritage sector, with a focus on those that are Independent Research Organisations. Building on existing work and projects, we will share expertise and provide recommendations on the approach to PIDs for colleagues across the UK...Kotarski, Rachael ; Padfield, Joseph ; Stack, John ; Madden, Frances
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Learning object
British Topographical Views: an annotated bibliography of bibliographies
Topography is the description of places, and topographical prints and drawings have often been seen as “accurate” visual representations of specific areas at moments in history. The British Library holds an unrivalled collection of hundreds of thousands of prints and drawings of the British Isles. These include images of towns,...Myrone, Felicity
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Other
Open Access Discovery Roadmap 2018
The solid foundation of the open access movement is the importance of public access to research, but it is clear that discovery of this open research remains one of the barriers to fulfilling this goal. There are many organisations making progress in this space and it is not always easy...Flanagan, Dimity ; Pieper, Dirk ; Piowowar, Heather ; Priem, Jason ; Bailey, Jefferson …
workshop; collaboration; open access; discovery; user experience; metadata; repositories
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Blog post
Open Access Discovery Workshop at the British Library
The solid foundation of the open access movement is the importance of public access to research, but it is clear that discovery of this open research remains one of the barriers to fulfilling this goal. There are many organisations making progress in this space and it is not always easy...Flanagan, Dimity
workshop; collaboration; open access; discovery; user experience; metadata; repositories
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Blog post
Open and Engaged: Open Access Week at the British Library
One of the key arguments in favour of open access to research is that the public should have the right to read the results of publicly funded research. While much effort is put into creating policies, workflows and business models to enable openness, are we succeeding in engaging the public...Flanagan, Dimity
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Blog post
The Lives of Typewriters and Large Data-sets: The Will Self Archive
Chris Beckett, Manuscripts Cataloguer at the British Library is currently working on the Will Self archive. The archive, which was acquired by the Library in 2016, consists of 24 large boxes of papers along with artwork, audio-visual material and the author’s computer hard drive. The first tranche is now discoverable...Beckett, Chris
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Blog post
No Longer in the Garage: The Archive of Galloping Dog Press, Poetry Information and Not Poetry
The small press publisher Peter Hodgkiss begins his memoir essay ‘It’s All in the Garage’ contemplating ‘a tatty cardboard box’ with ‘GDP’ written in fading red felt-tip pen on the side: ‘It has moved from landing to attic to garage 1 to garage 2 in two houses in Newcastle to...Beckett, Chris
literature, poetry, Contemporary Britain, manuscripts, and new collection items
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Blog post
The writing of J. G. Ballard’s Crash: a look under the bonnet
Shock greeted the publication of J. G. Ballard’s Crash in 1973. Cult status quickly followed. Today, the novel is widely considered to be a modern classic, a novel that speaks both of its time – the darkening close of a decade of colourful liberation – and speaks dystopically to us...Beckett, Chris
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Blog post
‘Post-it’ notes in the Will Self archive
'My books begin life in notebooks, then they move on to Post-it notes, the Post-its go up on the walls of the room […] short story ideas, tropes, metaphors, gags, characters, etc. When I'm working on a book, the Post-its come down off the wall and go into scrapbooks.’ (‘Writers'...Beckett, Chris
literature, Contemporary Britain, manuscripts, and new collection items
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Blog post
First report from the Will Self archive: family matters
Will Self’s review (for the New Statesman) of Peter Ackroyd’s Albion: The Origins of the English Imagination (2002) begins with the suggestion that his grandfather would have enjoyed the book. Before telling us why (Cockney visionaries both, with a tendency to compendiousness), we are treated to a pen-portrait of grandfather...Beckett, Chris
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Blog post
Archive of Joan Bakewell joins the British Library’s Contemporary Archives Collections
Joan Bakewell’s autobiography, The Centre of the Bed (2003), begins in a white room – a room as white as ‘a fresh sheet of paper’ – at the top of the house in which she has lived for many years. Boxes and packets of papers long-forgotten have been retrieved from...Beckett, Chris
literature, television, Contemporary Britain, manuscripts, and archival research
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Blog post
J. G. Ballard: Streets in the Sky and the Secret Logic of the High-Rise
Hardly a day goes by without a news report about London’s social housing crisis. There are currently more than 260 high-rise buildings (of 20 floors or more) either under construction or in the pipeline that are set to dramatically change the London skyline. Yet the high prices of the apartments...Beckett, Chris
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Learning object
The Opening of Crash in Slow Motion
Chris Beckett provides a close reading of the manuscript draft of Crash by J G Ballard, focussing on the novel's opening pages. In ‘Memories of Greeneland’ (1978), J G Ballard wrote that he had been ‘enormously influenced by [Graham] Greene's style, by his method of setting out the psychological ground...Beckett, Chris
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Conference paper (unpublished)
‘If the package is right, the pills are right’: Proprietary medicines, branding, and advertising, 1650-1850
Medical products, predominantly sold by newspaper and book printers, became the most heavily advertised branded good throughout the seventeenth and eighteenth centuries. This fact, combined with the ever-increasing availability of digitised contemporary newspapers, has generated important work upon their advertisement and distribution. These studies have considerably enriched our understanding of...Basford, Jennifer
branding, material culture, advertising, proprietary medicine, and packaging
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Learning object
Topography and the historic shelving schemes at the British Library
Throughout the last 400 years librarians and curators have taken different approaches to classify topographical collections. Adrian Edwards, Head of Printed Heritage Collections at the British Library, explores the historic shelving schemes and traces the development of their organisation.Edwards, Adrian S.
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Learning object
Early Shakespeare sources: a guide for academic researchers. Part 2: the British Library's early Shakespeare collections
Adrian S Edwards outlines the history of collecting early Shakespeare editions, and examines in detail the collections of David Garrick, George III, Thomas Grenville and James Orchard Halliwell-Phillipps, which make up three-quarters of the British Library’s early Shakespeare holdings.Edwards, Adrian S.
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Learning object
Early Shakespeare sources: a guide for academic researchers. Part 1: manuscript and early print sources for Shakespeare's works
Adrian S Edwards surveys the 16th- and 17th-century sources for Shakespeare’s works – the few surviving pages of Shakespearean manuscript, the quarto editions of his plays and poems, and the large folio editions of his collected works – and gives an overview of the British Library’s holdings.Edwards, Adrian S.
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Interactive resource
How word, symbol and song shaped history
Gus Casely-Hayford (SOAS and King’s College London), Janet Topp Fargion (British Library) and Marion Wallace (British Library) introduce the cultural dynamism and creativity of West Africa, and explain how word, symbol and song have shaped a thousand years of history.Casely-Hayford, Augustus ; Topp Fargion, Janet ; Wallace, Marion
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Blog post
Speaking out: political protest and print cultures in West Africa
West Africans made powerful use of writing and publishing to oppose colonialism and fight for independence. Since then, authors have not been reluctant to comment on the state of their nations and the world. Stephanie Newell (Yale University) and Marion Wallace (British Library) reflect on these developments.Newell, Stephanie ; Wallace, Marion
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Interactive resource
Crossings: African writers in the era of the transatlantic slave trade
Marion Wallace (British Library) introduces the leading writers of African heritage in 18th-century Britain, and explains how the pen became a weapon against both the slave trade and the system of enslavement itself.Wallace, Marion
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Interactive resource
Language, script and symbol in West Africa
West Africa is a place of great diversity – in language, in writing, in the hugely varied means of recording information and passing it on. Marion Wallace and Janet Topp Fargion (British Library) explore the region’s contribution to literacy, and the creativity with which West Africans communicate in word and...Wallace, Marion ; Topp Fargion, Janet
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Blog post
Karl Marx’s 200th birthday
This year sees the 200th birthday of political philosopher Karl Marx, who was born in the German town of Trier on 5 May 1818. In connection with the anniversary, the British Library opened a new display in its Treasures Gallery earlier this week. ‘Karl and Eleanor – Life in the...Siclovan, Diana
British Library, Germany, Eleanor Marx, Anglo-German, Germanic, history, printed books, exhibitions, British Museum, and Karl Marx
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Learning object
Putting topography in its place
Felicity Myrone explores how the ‘placing’ of topography and the collections’ perceived status and current accessibility at the British Library is the result of complex and often unintentional sequences of events.Myrone, Felicity
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Learning object
Prints and drawings at the British Museum and British Library
Felicity Myrone explores how prints and drawings are generally encountered in museum and library collections, and how this affects their meaning and status.Myrone, Felicity
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Learning object
What is K.Top?
George III's extensive collection of maps and views is known as the King's Topographical Collection or 'K.Top' for short. Felicity Myrone explores the history and extent of this rich collection, encompassing up to 40,000 items.Myrone, Felicity
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Learning object
Looking at topographical images
Suggestions from Felicity Myrone about how to approach and define topographical images.Myrone, Felicity
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Learning object
British topography: ‘Our real national art form’?
Felicity Myrone explores how topographical art has been defined and categorised since the 18th century – by artists, critics, art historians and collectors.Myrone, Felicity