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Exhibition object labels
West Africa: Word, Symbol, Song
Fargion , Janet Topp ; Wallace, Marion
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Exhibition object labels
‘Sounds of Africa’, part of the Africa ’05 season
Wallace, Marion
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Research report
Image Capture: IMPACT Best Practice Guide
One of the most important stages in any digitisation project is to design and implement a consistent approach to capturing digital images. How an institution does this will to a large extent depend on what kind of material it wants to digitise, the aim for which it digitises, available funds...IMPACT Project ; Fitzgerald, Neil ; Mühlberger, Günter ; Anderson, Niall
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Research report
Outsourcing: IMPACT Best Practice Guide
Museums, Libraries and Archives have been digitising their collections for more than twenty years, but industrial digitisation – the conversion of millions of information resources into digital form – is still a relatively young field. For that reason, many institutions lack the internal knowledge or physical resources to manage large-scale...IMPACT Project ; Zechmeister, Gerd ; Fischer, Mark-Oliver ; Anderson, Niall ; Fitzgerald, Neil
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Research report
Material Selection for Digitisation: IMPACT Briefing Paper
Mass digitisation involves the transformation of huge amounts of information from one form to another. The act of digitisation necessitates the creation of still more information – not only the new digital object itself, but information about what the object is, where it fits within a collection, where it is...IMPACT Project ; Fitzgerald, Neil ; Anderson, Niall
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Research report
Project Planning: IMPACT Best Practice Guide
Digitisation projects take in expertise from a wide variety of institutional sources, from subject curators and preservation staff, hardware and software specialists, to experts in intellectual property law. Depending on the physical capacity of the institution and the size and type of the collections to be digitised, the process may...IMPACT Project ; Conteh, Aly ; Fitzgerald, Neil ; Anderson, Niall
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Research report
Intellectual Property and Copyright: IMPACT Best Practice Guide
It may not possible or practical to find certain rights owners and so gain their permissions. If their material is still required for the project, it is important therefore to be able to identify and mange the risks involved in using a third party’s material where no permission has been...IMPACT Project ; White, Ben ; Fitzgerald, Neil ; Anderson, Niall
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Research report
Mass Digitisation QA: IMPACT Case Studies
Case Studies of Mass Digitisation QA: Quality control system for mass digitisation at the Bibliothèque National de France and Microsoft Digitisation Project (MDP) at the British Library.IMPACT Project ; Cron, Geneviève ; Fitzgerald, Neil ; Anderson, Niall
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Conference paper (unpublished)
The Philately of the Edwardian era as shown in its literature
As this Paper is being given in 2006 no one can be alive who has any meaningful experience of philately in the reign of His Majesty King Edward VII. To discover virtually anything at all the researcher must examine the literature and the archives of the period. As far as...Beech, David R.
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Conference paper (unpublished)
Collective intelligence or intelligent collecting: alternative survival strategies for audiovisual archives in the Information Age
Despite the evident prescriptive statement in the sub-title to this presentation, this sketch of the way things appear to me to be is intended to generate collaborative inquiry within IASA and its institutional members rather than present strategic actions that can be applied on return from this Conference.Clark, Chris
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Conference paper (unpublished)
Translating the enemy
This paper has three sources or “causes”, two of them “prior”, the third “final”. These are: firstly, the translation by the present writer of a fairly large group of poems and texts by the poet Velimir Khlebnikov (b1885, d1922), intended as a contribution to an anthology of English language translations...Chadwick, Brian
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Conference paper (unpublished)
The British Library Philatelic Collections 1998 to 2005
This Paper is the third in a series that has reported to the Society and the philatelic world on the activities of the British Library Philatelic Collections. The first was given on 1st December, 1988 by my predecessor R F “Bob” Schoolley-West FRPSL and the second I gave on 9th...Beech, David R.
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Conference paper (unpublished)
The epic unwriting of Empire: a case study. Khlebnikov -nash edinstvennyi poet-epik XX veka
I was discussing with a friend the problems I was having in introducing my topic or theme. The friend in question is one of the artists who has been working on the film which I will show later. He had read through my text, which was, I thought, mainly finished,...Chadwick, Brian
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Conference paper (unpublished)
How to look after your Collection - A basic guide
Many philatelists understand that they are the guardians of the material in their collections for themselves and for future owners. It is unfortunate when some collectors show a disregard for looking after their collection and dismiss comment with a remark like “it will be OK in my life time”. It...Beech, David R.
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Conference paper (unpublished)
The Time of Place: Louis-Sebastien Mercier and the hours of the day
I was recently reading The White Cities, Joseph Roth’s reports from France, 1925–1939, when, amongst many other moments, I was struck by the following passage: The manufacturers have their villas on the other side of the Rhône. That’s where the workers live – not in villas, alas, but in tenements....Shaw, Matthew J.
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Conference paper (unpublished)
The sound of artists' books
Artists’ books – any books – are capable of sound, whether dropped, as in Keith Godard’s otherwise text-less and image-less Sounds (1972), or, fluttering noisily, drying out, in the chill spring wind, on the monastery roof in Sergo Paradjanov’s film, The Colour of Pomegranates (1969).Bury, Stephen
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Conference paper (unpublished)
Structuring curatorial responsibilities to incorporate sabbaticals, research etc
A.W. Pollard, a keeper of printed books at the British Museum at the beginning of last century and an important Shakespearean scholar in his own right, remarked that one of the incentives to his career as a published writer was the low pay of the curator. So the simple way...Bury, Stephen