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Abstract
18th Century Miniature painting from the collections of Antoine Polier and JeanBaptiste Gentil
Miniature painting executed at the provincial court of Awadh in the late 18th century has been stigmatized as inferior, ornately colored imitations of Mughal originals, meant primarily for European consumption. The Polier collection (at the Museum für Islamisches Kunst, Berlin) and the Gentil collection (at the Bibliothèque Nationale, Paris), both...Roy, Malini
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Conference paper (unpublished)
Forging new identities: the role of the artist in 18th century northern India
Roy, Malini
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Conference paper (unpublished)
Understanding the concept of spatial recession and coining the Awadhi landscape
Roy, Malini
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Doctoral thesis
Idiosyncrasies in the Late Mughal Painting Tradition: The Artist Mihr Chand, Son of Ganga Ram (fl. 1759-86).
This thesis examines the stylistic development of the artist 'Mihr Chand, son of Ganga Ram' (fl. 1759-86), who travelled across northern India in the hope of finding a beneficent patron. The initial hypothesis, which this thesis proposes, is that Mihr Chand's idiosyncratic approach to the established painting tradition earmarked him...Roy, Malini
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Journal article
Some Unexpected Sources for Paintings by the Artist Mihr Chand (fl.c.1759–86), Son of Ganga Ram
Scholars have acknowledged that Mihr Chand, son of Ganga Ram (flourished c. 1759–86) is one of the finest artists to have flourished in the Mughal province of Awadh, at Faizabad and Lucknow, during the second half of the eighteenth century. Whilst it has been known that Mihr Chand received patronage...Roy, Malini
Antoine Polier, Jean Baptiste Gentil, later Mughal painting, Lucknow, Faizabad, and Mihr Chand