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Conference paper (unpublished)
The sound of artists' books
Artists’ books – any books – are capable of sound, whether dropped, as in Keith Godard’s otherwise text-less and image-less Sounds (1972), or, fluttering noisily, drying out, in the chill spring wind, on the monastery roof in Sergo Paradjanov’s film, The Colour of Pomegranates (1969).Bury, Stephen
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Conference paper (unpublished)
Structuring curatorial responsibilities to incorporate sabbaticals, research etc
A.W. Pollard, a keeper of printed books at the British Museum at the beginning of last century and an important Shakespearean scholar in his own right, remarked that one of the incentives to his career as a published writer was the low pay of the curator. So the simple way...Bury, Stephen