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Conference paper (unpublished)
Authority and Judgement in the Digital Archive
The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, related to expertise, volume and complexity, the gap between cost and...Dix, Alan ; Cowgill, Rachel ; Bashford, Christina ; McVeigh, Simon ; Ridgewell, Rupert
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Journal article
Biographical Myth and the Publication of Mozart's Piano Quartets
The story that Mozart was commissioned to write three piano quartets for publication in Franz Anton Hoffmeister's subscription series has proved to be remarkably resilient in the Mozart literature. According to the account that first appeared in Georg Nikolaus von Nissen's biography (1828), Hoffmeister gave Mozart an advance payment for...Ridgewell, Rupert
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Journal article
The Concert Programmes Project: History, progress and future directions
The Concert Programmes Project (CPP) was formally established in 2003, following discussions concerning the need for an inventory of programmes initiated by a IAML symposium in Cambridge in 1981.The preliminary work of the Project was to create a collection-level approach towards improving programme access with the final goal of creating...Ridgewell, Rupert
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Journal article
Mozart's Publishing Plans With Artaria in 1787: New Archival Evidence
A previously unknown document witnessing a transaction between Mozart and his principal Viennese publisher, Artaria, appears in an inventory ledger compiled by the firm in 1787. The documentary, financial, and bibliographical contexts suggest that Mozart was paid in advance for six piano trios and twelve songs, but failed to complete...Ridgewell, Rupert
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Book chapter
Artaria
Austrian firm of music publishers. It was founded in Mainz in 1765 and by 1768 was operating in Vienna, where it became the first important music publishing firm in the city.Weinmann, Alexander
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Journal article
‘An ‘authentic’ performance?: The cultural politics of ‘folk’ in Bengal and Bangladesh’ (part 2)
Folk performance genres have long been adapted to shorter formats for festivals, films, television and the new media. Contemporary practices of Kobigaan (a verse-duelling/song theatre genre) reveal how it functions differently for different communities relying on their cultural/collective memory of the genre. This section of the article first engages with...Basu, Priyanka
cultural memory, souvenir, festivals, sound chronotope, and Bengali cinema