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Learning object
The Opening of Crash in Slow Motion
Chris Beckett provides a close reading of the manuscript draft of Crash by J G Ballard, focussing on the novel's opening pages. In ‘Memories of Greeneland’ (1978), J G Ballard wrote that he had been ‘enormously influenced by [Graham] Greene's style, by his method of setting out the psychological ground...Beckett, Chris
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Learning object
Topography and the historic shelving schemes at the British Library
Throughout the last 400 years librarians and curators have taken different approaches to classify topographical collections. Adrian Edwards, Head of Printed Heritage Collections at the British Library, explores the historic shelving schemes and traces the development of their organisation.Edwards, Adrian S.
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Learning object
Early Shakespeare sources: a guide for academic researchers. Part 2: the British Library's early Shakespeare collections
Adrian S Edwards outlines the history of collecting early Shakespeare editions, and examines in detail the collections of David Garrick, George III, Thomas Grenville and James Orchard Halliwell-Phillipps, which make up three-quarters of the British Library’s early Shakespeare holdings.Edwards, Adrian S.
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Learning object
Early Shakespeare sources: a guide for academic researchers. Part 1: manuscript and early print sources for Shakespeare's works
Adrian S Edwards surveys the 16th- and 17th-century sources for Shakespeare’s works – the few surviving pages of Shakespearean manuscript, the quarto editions of his plays and poems, and the large folio editions of his collected works – and gives an overview of the British Library’s holdings.Edwards, Adrian S.
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Learning object
Putting topography in its place
Felicity Myrone explores how the ‘placing’ of topography and the collections’ perceived status and current accessibility at the British Library is the result of complex and often unintentional sequences of events.Myrone, Felicity
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Learning object
Prints and drawings at the British Museum and British Library
Felicity Myrone explores how prints and drawings are generally encountered in museum and library collections, and how this affects their meaning and status.Myrone, Felicity
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Learning object
What is K.Top?
George III's extensive collection of maps and views is known as the King's Topographical Collection or 'K.Top' for short. Felicity Myrone explores the history and extent of this rich collection, encompassing up to 40,000 items.Myrone, Felicity
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Learning object
Looking at topographical images
Suggestions from Felicity Myrone about how to approach and define topographical images.Myrone, Felicity
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Learning object
British topography: ‘Our real national art form’?
Felicity Myrone explores how topographical art has been defined and categorised since the 18th century – by artists, critics, art historians and collectors.Myrone, Felicity
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