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2020
Journal article
‘An ‘authentic’ performance?: The cultural politics of ‘folk’ in Bengal and Bangladesh’ (part 2)
Folk performance genres have long been adapted to shorter formats for festivals, films, television and the new media. Contemporary practices of Kobigaan (a verse-duelling/song theatre genre) reveal how it functions differently for different communities relying on their cultural/collective memory of the genre. This section of the article first engages with...Basu, Priyanka
cultural memory, souvenir, festivals, sound chronotope, and Bengali cinema