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2021
Journal article
James McNeill Whistler to Richard D’Oyly Carte: A Letter Comes to Light at the British Library
Recently catalogued papers of the Doyly Carte family held at the British Library have brought to light a ‘lost’ letter from the American artist James McNeill Whistler to theatrical impresario and hotelier Richard D’Oyly Carte. The letter refers to Whistler’s decoration scheme for Carte’s home at No. 4 Adelphi Terrace...Beckett, Chris
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2015
Journal article
J. G. Ballard's 'Elaborately Signalled Landscape': The Drafting of Concrete Island
The archive of J. G. Ballard at the British Library contains two very different draft texts for 'Concrete Island': an undated typescript substantially revised by hand, and a 'first draft screenplay' dated 20 September 1972. The screenplay is, in the author’s words on the title page, 'from the novel of...Beckett, Chris
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2014
Journal article
Near Vermilion Sands: The Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
The literary archive of J. G. Ballard at the British Library includes an unpublished story set in the environs of Vermilion Sands, a fictional desert resort that is the exotic location of nine stories Ballard wrote between 1956 and 1966. The stories were subsequently collected and published as 'Vermilion Sands'...Beckett, Chris
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2012
Journal article
Bob Cobbing, Visual Art Works (1942-73): A Preliminary Survey
Amongst the papers of Bob Cobbing at the British Library are two lists the poet compiled of his visual art works. Taken together, the lists record 153 works produced between 1942 and 1973. Information from these two documents has been collated to generate a single list, prefaced by an introduction...Beckett, Chris
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2011
Journal article
The Progress of the Text: The Papers of J. G. Ballard at the British Library
The article provides an overview of the archive of J. G. Ballard, acquired by the British Library in 2010. The successive drafts of Ballard’s novels, in manuscript and typescript, comprise the majority of the archive, with the exception of Ballard’s first novel (The Wind from Nowhere) and The Unlimited Dream...Beckett, Chris
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2010
Journal article
From the Bombast of Vachel Lindsay to the Compass of Noise: The Papers of Bob Cobbing at the British Library
The article introduces the paper archive of Bob Cobbing (1920-2002) at the British Library, and contextualizes his influential contribution to British poetry – as an avant-garde performance poet, printer and publisher – over the course of more than fifty years. The archive evidences the continuity between Cobbing’s formative experience as...Beckett, Chris
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2009
Journal article
Tambimuttu and the Poetry London Papers at the British Library: Reputation and Evidence
The papers of the most influential literary magazine of the 1940s, Poetry London (1939-51), and the associated papers its Sri Lankan editor, M. J. T. Tambimuttu, were long considered lost until they came to light in 2005, when they were passed to the British Library. The papers of author Richard...Beckett, Chris
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2018
Blog post
The Lives of Typewriters and Large Data-sets: The Will Self Archive
Chris Beckett, Manuscripts Cataloguer at the British Library is currently working on the Will Self archive. The archive, which was acquired by the Library in 2016, consists of 24 large boxes of papers along with artwork, audio-visual material and the author’s computer hard drive. The first tranche is now discoverable...Beckett, Chris
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2017
Blog post
No Longer in the Garage: The Archive of Galloping Dog Press, Poetry Information and Not Poetry
The small press publisher Peter Hodgkiss begins his memoir essay ‘It’s All in the Garage’ contemplating ‘a tatty cardboard box’ with ‘GDP’ written in fading red felt-tip pen on the side: ‘It has moved from landing to attic to garage 1 to garage 2 in two houses in Newcastle to...Beckett, Chris
literature, poetry, Contemporary Britain, manuscripts, and new collection items
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2017
Blog post
The writing of J. G. Ballard’s Crash: a look under the bonnet
Shock greeted the publication of J. G. Ballard’s Crash in 1973. Cult status quickly followed. Today, the novel is widely considered to be a modern classic, a novel that speaks both of its time – the darkening close of a decade of colourful liberation – and speaks dystopically to us...Beckett, Chris
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2017
Blog post
‘Post-it’ notes in the Will Self archive
'My books begin life in notebooks, then they move on to Post-it notes, the Post-its go up on the walls of the room […] short story ideas, tropes, metaphors, gags, characters, etc. When I'm working on a book, the Post-its come down off the wall and go into scrapbooks.’ (‘Writers'...Beckett, Chris
literature, Contemporary Britain, manuscripts, and new collection items
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2017
Blog post
Archive of Joan Bakewell joins the British Library’s Contemporary Archives Collections
Joan Bakewell’s autobiography, The Centre of the Bed (2003), begins in a white room – a room as white as ‘a fresh sheet of paper’ – at the top of the house in which she has lived for many years. Boxes and packets of papers long-forgotten have been retrieved from...Beckett, Chris
literature, television, Contemporary Britain, manuscripts, and archival research
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2016
Blog post
J. G. Ballard: Streets in the Sky and the Secret Logic of the High-Rise
Hardly a day goes by without a news report about London’s social housing crisis. There are currently more than 260 high-rise buildings (of 20 floors or more) either under construction or in the pipeline that are set to dramatically change the London skyline. Yet the high prices of the apartments...Beckett, Chris
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2016
Learning object
The Opening of Crash in Slow Motion
Chris Beckett provides a close reading of the manuscript draft of Crash by J G Ballard, focussing on the novel's opening pages. In ‘Memories of Greeneland’ (1978), J G Ballard wrote that he had been ‘enormously influenced by [Graham] Greene's style, by his method of setting out the psychological ground...Beckett, Chris
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2019
Journal article
J. G. Ballard’s ‘Crash! A Science Theatre Presentation for the ICA’: The context of a lost document recovered
In the spring of 1968, J. G. Ballard drafted an eight-page outline for a multi-media 'science theatre presentation' called 'Crash!' It was to be performed at the Institute of Contemporary Arts (ICA). Although the event was teasingly promoted in a full-page feature in the Sunday Mirror newspaper ('A Star Role...Beckett, Chris