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2021
Other
TEI Metadata for an 8-volume copy of the Macklin Bible in the collection of the John Rylands Library, University of Manchester (11819)
Volumes 1-7 contain: The Holy Bible : embellished with engravings from pictures and designs by the most eminent English artists (London: printed by Thomas Bensley for Thomas Macklin, 1800). Volume 8 contains: The Apocrypha : embellished with engravings from pictures and designs by the most eminent English artists (London: printed...Billingsley, Naomi
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2021
Other
TEI Metadata for 24 individual plates in the second edition of the Macklin Bible in the collection of the John Rylands Library, University of Manchester (R47430)
The Holy Bible, embellished by the most eminent British artists (London: Cadell & Davies, 1824). This publication was the second edition of this illustrated Bible. The 24 XML files contain the TEI metadata for each plate by Naomi Billingsley. The XML files here contain the researcher-authored metadata for the plates,...Billingsley, Naomi
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2021
Other
TEI Metadata for a 2 volume copy of the Bowyer-Fittler Bible in the collection of the John Rylands Library, University of Manchester (R14793)
The Holy Bible ornamented with engravings by James Fittler from celebrated pictures by old masters (London: printed by Thomas Bensley for Robert Bowyer, 1795). The 2 XML files contain the TEI metadata for each volume by Naomi Billingsley. The XML files here contain the researcher-authored metadata for the volumes, which...Billingsley, Naomi
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2021
Journal article
‘The Great Bowyer Bible’: Robert Bowyer and the Macklin Bible
This article examines an iconic example of grangerizing: the Macklin Bible extra-illustrated in 45 volumes by London artist and bookseller Robert Bowyer (1758‐1834) in the first quarter of the nineteenth century (Bolton Libraries and Museums, Bolton, United Kingdom). The principal focus is on the Bowyer Bible as an example of...Billingsley, Naomi
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2018
Journal article
An ‘Apostle of Futurity’: William Blake as Herald of a Universal Religious Worldview
This article examines a strand of William Blake criticism from the second quarter of the twentieth century that styled his work as an embodiment of a universal religious worldview. In particular, it focuses on the writings of Max Plowman and John Middleton Murry from the mid 1920s to the early...Billingsley, Naomi
vision, pacifism, William Blake, Max Plowman, John Middleton Murry, and religion
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2018
Journal article
Re-viewing William Blake’s Paradise Regained (c. 1816–1820)
This article presents a revisionist reading of William Blake’s (1757–1827) twelve watercolor designs for John Milton’s “Paradise Regained” (c. 1816–1820). The designs have previously been dismissed in critical commentary as of little interest to Blake scholarship, or regarded as a narrative merely about Christ’s human nature. This article argues that they...Billingsley, Naomi
Baptism of Christ, cosmology, Temptations of Christ, William Blake, Satan, Paradise Regained, and John Milton
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2018
Book
The Visionary Art of William Blake: Christianity, Romanticism and the Pictorial Imagination
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how...Billingsley, Naomi