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2015
Journal article
Writing a Big Data history of music
This article introduces the project A Big Data History of Music, which set out to unlock the bibliographical data held by research libraries in order to create new research opportunities for musicologists. The project cleaned and enhanced aspects of the British Library catalogues of printed and manuscript music, which are...Rose, Stephen ; Tuppen, Sandra ; Drosopoulou, Loukia
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2020
Journal article
Information School academics and the value of their personal digital archives
Introduction: This paper explores the value that academics in an information school assign to their digital files and how this relates to their personal information management and personal digital archiving practices. Method: An interpretivist qualitative approach was adopted with data from in-depth interviews and participant-led tours of their digital storage...Drosopoulou, Loukia ; Cox, Andrew M.
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2016
Journal article
Library catalogue records as a research resource : introducing 'A Big Data History of Music'
Librarians and archivists are increasingly collecting and working with large quantities of digital data. In science, business, and now the humanities, the production and analysis of vast amounts of data (so-called ‘big data research’) have become fundamental activities. This article introduces the project A Big Data History of Music, a...Tuppen, Sandra ; Rose, Stephen ; Drosopoulou, Loukia
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2008
Doctoral thesis
Dynamic, Articulation and Special Effect Markings in Manuscript Sources of Luigi Boccherini’s String Quintets
Luigi Boccherini's chamber works form the largest part of his compositional output of nearly 500 works. In these works Boccherini included performance markings to a much greater extent that in his violoncello sonatas and concertos. His string quintets, in particular, present a large variety of dynamic, articulation and special-effect markings,...Drosopoulou, Loukia
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2012
Journal article
Articulation markings in Manuscript Sources of Luigi Boccherini’s String Quintets
Unlike many eighteenth-century virtuoso violoncellists, Luigi Boccherini did not write a string treatise. His influence and contribution to historical performance practice is widely known today through his solo works, his violoncello sonatas and concertos, which best reflect his virtuosic techniques and overall use of the instrument. Yet, his chamber works...Drosopoulou, Loukia
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2013
Journal article
Boccherini as Chamber Composer to Friedrich Wilhelm II of Prussia: some insights from the Catalogues of the king’s Music Collection
King Friedrich Wilhelm II of Prussia (1744-1797) had a strong interest in Boccherini’s music already from his time as Crown Prince. His collection contained almost the complete published oeuvre of the composer, acquired before Boccherini’s official employment with him begun. In October 1783 the prince sent a letter of interest...Drosopoulou, Loukia
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2019