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2019
Book chapter
Music and Print
This chapter surveys some of the major trends in music printing and publishing from the fifteenth century to the present day. From Ottaviano Petrucci's introduction of triple‐impression printing for polyphonic music in the sixteenth century to the global marketing of music in modern times, the history of music in print...Ridgewell, Rupert
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2017
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2016
Conference paper (unpublished)
Spreadsheets as User Interfaces
Spreadsheets are ubiquitous, familiar, often overlooked, and embody vast financial and human investment, not least in their user interface. This paper shows how spreadsheets can be used as an integral part of interactive processes, for activities from simple data entry, to more complex grouping and linking of datasets, both as...Dix, Alan ; Cowgill, Rachel ; Bashford, Christina ; McVeigh, Simon ; Ridgewell, Rupert
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2014
Conference paper (unpublished)
Authority and Judgement in the Digital Archive
The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, related to expertise, volume and complexity, the gap between cost and...Dix, Alan ; Cowgill, Rachel ; Bashford, Christina ; McVeigh, Simon ; Ridgewell, Rupert
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2020
Journal article
Biographical Myth and the Publication of Mozart's Piano Quartets
The story that Mozart was commissioned to write three piano quartets for publication in Franz Anton Hoffmeister's subscription series has proved to be remarkably resilient in the Mozart literature. According to the account that first appeared in Georg Nikolaus von Nissen's biography (1828), Hoffmeister gave Mozart an advance payment for...Ridgewell, Rupert
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2010
Journal article
The Concert Programmes Project: History, progress and future directions
The Concert Programmes Project (CPP) was formally established in 2003, following discussions concerning the need for an inventory of programmes initiated by a IAML symposium in Cambridge in 1981.The preliminary work of the Project was to create a collection-level approach towards improving programme access with the final goal of creating...Ridgewell, Rupert
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2005
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2002
Journal article
Mozart's Publishing Plans With Artaria in 1787: New Archival Evidence
A previously unknown document witnessing a transaction between Mozart and his principal Viennese publisher, Artaria, appears in an inventory ledger compiled by the firm in 1787. The documentary, financial, and bibliographical contexts suggest that Mozart was paid in advance for six piano trios and twelve songs, but failed to complete...Ridgewell, Rupert