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Beyond the Template: Aesthetics and Meaning in the Images of the Roman d'Alexandre en prose in Harley MS. 4979
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The Library Catalogues of Sir Hans Sloane: Their Authors, Organization, and Functions
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Kissing Images, Unfurling Rolls, Measuring Wounds, Sewing Badges and Carrying Talismans: Considering Some Harley Manuscripts through the Physical Rituals they Reveal
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Advising France through the Example of England: Visual Narrative in the Livre de la prinse et mort du roy Richart (Harl. MS. 1319)
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Good Morals for a Couple at the Burgundian Court: Contents and Context of Harley 1310, Le Livre des bonnes meurs of Jacques Legrand
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1793: A Song of the Natives of New South Wales
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The Metamorphoses of a Late Fifteenth-Century Psalter (Harl. MS. 1892)
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Some Greek Gospel Manuscripts in the British Library: Examples of the Byzantine Book as Holy Receptacle and Bearer of Hidden Meaning
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The Printed Books of the Cotton Family and Their Dispersal: Additions
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The Westminster Tournament Challenge (Harley 83 H 1) and Thomas Wriothesley's Workshop
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Harley MS. 3469: Splendor Solis or Splendour of the Sun – A German Alchemical Manuscript
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Humfrey Wanley and the Harley Collection
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The Progress of the Text: The Papers of J. G. Ballard at the British Library
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The Harleys as Collectors
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Harley MS. 2979 and the Books of Hours Produced in Avignon by the Workshop of Jean de Toulouse
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'In this signe thou shalt ouercome hem alle': Visual Rhetoric and Yorkist Propaganda in Lydgate's Fall of Princes (Harl. MS. 1766)
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