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  5. Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations

Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations

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Resource type
Conference paper (published)
Creator (person)
Armstrong, Charlotte
Cowgill, Rachel
Dix, Alan
Bashford, Christina
Downie, D. Stephen
Twidale, Mike
Reagan, Maureen
Ridgewell, Rupert
Date published
2021
Abstract
The centenaries of former chapters of the British Music Society (BMS), established in 1918, have prompted their governing bodies to take stock of their histories and build on the cataloguing, documentation and preservation of their archival collections. The InterMusE project aims to support this shared instinct to archive by capturing and, crucially, linking different forms of data regarding the musical events provided by three of these local concert-giving organisations, beginning with the digitisation of their collections and with a view to producing a dynamic, open-access digital archive. This paper outlines our approach to establishing a foundation for developing a new kind of digital archive for musicology that is both valuable for researchers, fulfils the needs of the societies and their communities, and sheds light on community music-making on a national and, ultimately, international scale. By carrying out a series of preliminary scoping exercises, including informal interviews and archival-collection assessments, we can compare current archiving and preservation activities across the societies. These conversations bring emerging themes, issues and challenges into focus, raising pertinent questions that will inform our development of transformative tools and techniques for community digitisation projects.
Event title
DLfM '21: 8th International Conference on Digital Libraries for Musicology
Publisher
Association for Computing Machinery (ACM)
Official URL
https://doi.org/10.1145/3469013.3469019
Related URL
https://dl.acm.org/doi/fullHtml/10.1145/3469013.3469019
Rights statement
In Copyright
DOI
10.1145/3469013.3469019
Keywords
archives
Musicology
digital archives
co-production
co-creation
digitisation
ephemera
concerts
performance history
centenaries
Additional information
This is the authors' accepted manuscript of this paper and the content is identical to the final published version. The final authenticated version is available online at: https://doi.org/10.1145/3469013.3469019
Managed by the British Library and supported by the AHRC

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