Matthew Paris, Visual Exegesis, and Apocalyptic Birds in Royal MS. 14 C. VII
Name
ebljarticle52014.pdf
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Size
5 MB
Format
Adobe PDF
Checksum (CRC64NVME)
oXJlqWdW/3Y=
Resource type
Journal article
Creator (person)
Kim, Dorothy
Date published
2014
Abstract
This article argues that the prefatory maps in Royal MS. 14 C. VII act as a visual distillation of the vast system of emblems in the margins of the other Chronica Majora manuscripts. Recently, scholars have discussed Matthew Paris’s visual marginalia as reading devices and finding aids that distill sections of written text into single images. This article expands that conversation by arguing that the imagery in the prefatory maps of Royal 14 C. VII is even more condensed and refined, focusing on how apocalyptic birds painted in the manuscript link England with the crusader East. Specifically, the apocalyptic birds of Royal MS. 14 C. VII link geographical space and marginal commentaries on the Historia Anglorum and Chronica Majora with Joachim of Fiore’s eschatological historiography in particular and Franciscan cosmology in general. In essence, these condensed visual images are forms of visual exegesis – a type of visual reading theorized by Paolo Berdini. As a result, Royal MS. 14 C. VII’s prefatory maps reorient cartographic hierarchies and entwine the contemporary crusader present with the apocalyptic future.
Journal title
Electronic British Library Journal
Volume
2014
Article number
5
Publisher
British Library
Place of publication
London, UK
eISSN
1478-0259
Official URL
Collection