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The picture of the Crucifixion in the Floreffe Bible (London, BL, ADD. MS. 17738, f. 187r): typology as an expression of the history of salvation
THE stylistic and iconographic avant garde of the second half of the twelfth century is represented by the art of the Rhineland and Maasland regions. The imitation of classical antiquity by Nicholas of Verdun originated there, as did the application of the typological method that was so significant in the...Telesko, Werner