Artists’ books – any books – are capable of sound, whether dropped, as in Keith Godard’s otherwise text-less and image-less Sounds (1972), or, fluttering noisily, drying out, in the chill spring wind, on the monastery roof in Sergo Paradjanov’s film, The Colour of Pomegranates (1969).
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- Resource type
Conference paper (unpublished)
- Event title
Sound and Vision: Interpreting the Visual
- Event location
- Additional information
Edited version of lecture that appeared in: Image/text, edited by John McDowall and Chris Taylor. Wild Pansy Press, University of Leeds, 2004